Now only if someone would explain what “Studio K” means, or where in the world it’s located, at least.. really hoping it’s not in Garosugil or somewhere in Gangnam where the designer Hong, Hye Jin’s office is located because that’d immediately take all the fun and fantasy out of it. Hence I digress…
A border, whether it divides countries, or two different types of elements such as the land and the water, plays a critical role in a world that mainly deals with things of visual nature as that’s what makes layering and interaction possible.
Hong applied this idea to her spring collection by using loads of graphics and layers to recreate the division, layers and interactive interface that occur as a result of border’s existence. Not that it’s a rather serious topic to be dealt with particularly for fashion which is often considered shallow and fleeting, it’s undeniably an interesting thought to play with, especially for those living in a country that suffers from a painful division of the land, and also one that is surrounded by the sea. But why does any of that matter when results are exuberant and just straight out pretty like this (this includes boys’ stuff)? Isn’t that how our lives are? We all in a way live a life that is contradicting; by distracting ourselves with things that are lightweight and superficially exciting, we try to turn away and forget about the not-so-great part of our lives, which in the end (unfortunately and ironically) turns out to be most important. In that sense, why don’t we just start lusting after model turned actress Lee, Sung Gyung’s plump lips? The real question perhaps should be, “How in the world is that possible for a Korean?”
Photo by Justin Shin, Fashion photographer Seoul Korea
Masculinity can mean different things- or can it?
While the rest of Korea is drowning in 90′s pop culture (myself not-so-secretly included), it’s become apparent that what’s considered sexy for men has changed a lot over the years. Actually, I’m not so sure about the rest of the world but at least for me, there is a very high correlation between masculinity and sexual attractiveness, and for Resurrection’s spring collection through which designer Lee, Ju-young attempted to show both casual and masculine sides of menswear via industrial mood. As expected however, the so-called “masculinity” often felt more imposed than natural.
As many of us like to point out while watching female singers perform in their most provocative clothes, sexy isn’t about showing more skin, but it comes from within, which I’m sure can be achieved in fashion, too, without having to use skin as a major part of the collection. And obviously, with an incorporation of aggressive accessorizing, things can get quite complicated especially for menswear- the route which Lee decided to take anyway. Thankfully, it turned out not as disastrous but I’m fervently praying that no one else besides the model below attempts it at home.
While the mesh could have been skipped (note: this is purely a personal opinion, I’m just tired of them), graphic print and vertical stripes paired with leather pants (or faux, can’t tell) were cool, an ensemble in which even a use of the leather harness became forgivable. A high-end street wear that’s more luxurious and glamorous than it should be, perhaps. But either way, that’s what sets Resurrection apart from the rest of the menswear. Kudos for being adventurous especially for Korean menswear, Ms. Lee!
Photos by Justin Shin, Korea Fashion Photographer
At first glance, Yang’s designs look particularly feminine, but look twice, and you’ll see that it’s so much more than that: there’s something modern, artistic, strong and even empowering in them that makes it not just another “pretty” womenswear collection but an exceptional one at that. In congruence with the theme, her spring offering has proven to be “dreamy” indeed, which was emphasized with a use of variety of sometimes contrasting materials such as taffeta, silk and denim magically weaved into pieces that are romantic and classic provided by the positive energy of the post-World War II era and the exhilarating cultural phenomena of the 40′s such as the swing dance and women’s liberation movement. While she had us sit on the edge of our seats anticipating for the next look every time a model walked out, there was a constant that could be felt throughout the show: freedom. Yang may have worked around a rather often visited theme, but what really made it a unique, fresh collection is the “freedom” she allowed herself to explore and embrace which was another element of inspiration behind the offering.
This spring, “Ordinary People” go on a trip in polka dots, daisy dukes, coolest capris and sleeveless chambray button-downs. Don’t you just wish the guys you randomly come across on a trip to Europe looked like this? Now that would be the most romantic thing ever. In all seriousness though, even after so many seasons and encounters, I must say “no” to those short-shorts after all, as the mind refuses to accept them as appropriate men’s attire. Sorry, guys. But don’t fret yet, the good news is that the designer Hyeong Cheol Chang may have come up with the cleanest looking capris, and to make things even better, he also offers what looks best with them such as the oversized sleeveless button-downs and a loosely fitted motorcycle jacket made with knitted fabric that looks Chanel. It looks especially awesome when paired with the crisp white round-neck t-shirt that looks perfectly opaque making it most appropriate for the occasion. This look, indeed, shall be what men should be wearing this spring. Capris never looked so hot- do it, and do it now.
This, guys. Yes, this is what I’m talking about.
Khakis are always a nice idea.
But do refrain from tight pants if you have thick thighs- No hate though, soccer is an attractive sport. Just be aware of your body and what looks best on it, fair enough?
Photos by Justin Shin, Fashion Photographer Seoul Korea
So apparently I’m either prophetic or secretly possess some kind of superpower that allows me to see people’s past without having studied it. A close source tells me that the designer of the uberpopular brand, Push Button, used to be a stylist. And not only that, he was a model too. Although I only got the first half right, I must say I was pretty shocked to find out. And on that note, I cautiously assume he never quite received full training in fashion design (not that it matters when your stuff is good) as I’m unable to locate such info anywhere on the cyberspace. But really, who cares. If anything, aren’t we all tired of seeing institutionalized people making same stuff over and over? For one, I’ve recently become a huge fan of the self-trained French designer, Jacquemus, well, because he’s the most creative, artistic individual I’ve come across recently (albeit only in cyberspace, unfortunately- I’m sure he’s a nice guy in person too). But if I had to be completely honest, the reason why I began considering Park more of a stylist than a fashion designer is I always felt like his collection was missing that certain “something” even after being almost always particularly entertaining and memorable. It turns out the looks are “made” to look good with exceptional accessorizing and styling. The question was, ‘If he were to show each look with no accessories at all, or minimal styling work involved, would it still be interesting?’ The answer, at least this time around, was no, because as you can see, what really completes the look is not the dress nor the layered bra, but the matching headband, jeweled cat eye sunglasses and big, big hoop earrings. But what is there to complain when the collection looks awesome and maybe even covetable?
With the iconic painter Frieda Kahlo as an inspiration, Park pushes the button yet again through his own world of wit and glamour where vintage and future meet- which sometimes turns out to be a bit awkward yet strangely in a good way. That must be a talent.
Photo by Justin Shin, Fashion Photographer Seoul Korea
You know it’s a good show when you start anticipating the next look. Quite simply, what sets a good collection apart from those that are average is one that which presents something new in every single look yet mindfully follows the theme by placing main elements of the collection in each look. It should be clear what the designer is trying to convey, and it should be illustrated in the pieces that are made with the highest quality and finish. We have all done some type of presentation in school that required nothing but the best in us because the presentation, in a way, represented who we were- it was a chance to show them what we were capable of. A fashion show isn’t much different- only that an event in this scale should consist of results that offer a lot more at a much higher level.
J KOO is a brand that knows what’s up. And I mean it- are they not only the most well-trained and prepared duo, but they are one of the few designer brands that shows during Seoul Fashion Week that have mastered the basics of fashion design. What that means is that they have the ability to cover from A to Z with their very own “kick” added, all the while keeping them “cool” and practical enough to lure fashion fans from all over the world. The pieces are not only one of a kind, but with wit and quality that you’d expect from a luxury designer brand- but more important, they are trendsetting while also being timeless and sometimes even free from circumstantial factors. These are clothes you want to go out in, party in, meet cute boys and girls in, pray in, and to sleep in. I know, because I’ve experienced them firsthand.
It isn’t difficult to conclude that tennis is rather a fashionable sport, and it really got me curious when the designer told me that they were inspired by tennis wear from the 1920′s to 1930′s which looked something like this and this. While it’s not the first time high fashion has played tennis, compared to Jean Paul Gaultier’s luxurious take, J KOO presents younger, casual variations with mini fringes, pleats and their signature “undone” edges. Having a menswear background for the duo gives them a competitive advantage by allowing them to experiment with womenswear while creating everything with top notch tailoring. It may seem common sense, but at the end of the day, what truly matters is whether fashion designers know how to design. If you are wondering why I’m saying such a thing, try seeing 200 shows a season. You can kind of start giving brands grades, trust me.
Photo by Justin Shin, fashion photographer Seoul, Korea
The question is, just how far we can go with the bandage dresses.. Kudos to the design team at Max Azria for their relentless attempts and success at creating seemingly endless collections of body-con dresses season after season, which this time around received a bit of “power” with inspiration coming all the way from Japan. It’s one thing to be a strong woman, but to look this sexy being one is not the easiest feat. If you were guessing “Geisha” the moment Japan was mentioned, you were right, albeit partially. Hervé Léger’s spring collection is a reinterpretation of Japan’s female warriors called onna-begeisha; what she would have been if she were to come home after a long day at a battlefield- or, on her “off days” having a brunch somewhere hip, let’s say Downtown LA. This alone should explain the Kimono reference that’s rather obvious, though this woman isn’t only a fighter but is confident about her body and sensuality- so much so that she rocks skin-tight clothes that are considered the toughest to pull off- that which pretty much reveal every curve and not-so-curvy parts of the body. What seems to matter the most however, is embracing and enjoying being a woman no matter what, one who is strong not because of her social position or wealth but simply because of who she is. On that note, this is a collection that is both empowering and creative, and that’s enough to leave us anticipating the next collection for sure.
It’s infinitely great when the designer knows what she’s good at, and even better when she doesn’t hesitate to focus on the exact stuff that made her who she is. Denim, shredded denim in particular, is undoubtedly Kiok’s specialty, and the minute top model Soyoung Kang opened the show with a denim jacket that’s two things awesomely beautiful: distressed and white, it finally felt safe to breathe a sigh of relief. There were no surprises, but it was a concise display of Kiok’s history, and where it will be heading from here. One thing is clear: it’s all about denim, and that is enough to keep the fans happy.
Photo by Justin Shin, fashion photographer Seoul, Korea